Three-count entry
Count one, two, three silently and start exactly on an imagined fourth beat. Avoid inhaling after the start point.
7 drills · 12 minutes · Spoken rhythm
Train the moment you enter, the space you leave, and the moment you finish. These drills isolate spoken timing so you can hear whether a phrase is early, late, rushed, or evenly shaped.
First four drills
Use one short sentence throughout: “We begin after the light.” Record each drill once, listen, then repeat with one change.
Count one, two, three silently and start exactly on an imagined fourth beat. Avoid inhaling after the start point.
Say the line with a pause after “begin,” then after “the.” Compare how the location changes meaning and flow.
Speak the line naturally, note its length, and repeat within roughly half a second while staying relaxed.
Tap only the stressed syllables. Speak again while keeping those anchor points equally spaced.
Drills 5–7
Divide a sentence into three thought groups. Give the first room, move through the middle with energy, and let the final group settle. Repeat with the reverse pattern. The point is not raw speed; it is choosing where pace changes happen.
Ask a partner to clap once at an unpredictable moment. Enter one beat after the clap, deliver the phrase, and stop cleanly. Working alone, schedule a repeating tone and use every second tone as the cue. This separates preparation from a premature start.
Listen to one short recording without speaking over it. Mark the start, longest pause, and finish with three pencil strokes. Perform after the reference ends. Compare the two recordings and adjust only the largest timing difference.
Use a simple timeline: start, first stressed word, longest pause, final word, finish. If your take feels rushed, determine whether the issue is an early start, missing pause, compressed middle, or abrupt finish. “Too fast” is vague; “the middle loses one pause” is actionable.
The game gives three visible preparation lights and a silent fourth start signal. Wait for that start, preserve the reference's major pause, and finish near its ending. Timing contributes 25% of the comparison, while energy and pitch remain separate signals. Use the step-by-step controls guide if you need the complete round sequence.
Timing practice works best at a normal speaking level. If the recording has gaps or the input meter stays still, solve the device issue with the microphone troubleshooting page first.
Add another layer
Move next to contour, imitation, or a playable four-scene sequence.
Add relative rise, fall, and phrase shape.
Combine timing with energy, emotion, and character choices.
Understand all three score signals and five judge profiles.